Billboard at the Space, Saint Leonards by the sea Railway Station, Hastings, UK, 2023.
3 pieces of my work Balearic Appropianist Map fixed at the billboard in Saint Leonard's, Hastings (England). Thank you Christine Gist and Tempo Arts for this chance, Photo by Yvo van der Vat. BAM (Balearic Appropriationist Map) was at The SPACE, St Johns Rd, St Leonards-on-Sea through July 2023. BAM was realised with the support of The Hastings & St Leonards Foreshore Charitable Trust.
Billboard at the Space, Saint Leonards by the sea Railway Station, Hastings, UK, 2023.
3 pieces of my work Balearic Appropianist Map fixed at the billboard in Saint Leonard's, Hastings (England). Thank you Christine Gist and Tempo Arts for this chance, Photo by Yvo van der Vat. BAM (Balearic Appropriationist Map) was at The SPACE, St Johns Rd, St Leonards-on-Sea through July 2023. BAM was realised with the support of The Hastings & St Leonards Foreshore Charitable Trust.
Billboard at the Space, Saint Leonards by the sea Railway Station, Hastings, UK, 2023.
3 pieces of my work Balearic Appropianist Map fixed at the billboard in Saint Leonard's, Hastings (England). Thank you Christine Gist and Tempo Arts for this chance, Photo by Yvo van der Vat. BAM (Balearic Appropriationist Map) was at The SPACE, St Johns Rd, St Leonards-on-Sea through July 2023. BAM was realised with the support of The Hastings & St Leonards Foreshore Charitable Trust.
Billboard at the Space, Saint Leonards by the sea Railway Station, Hastings, UK, 2023.
3 pieces of my work Balearic Appropianist Map fixed at the billboard in Saint Leonard's, Hastings (England). Thank you Christine Gist and Tempo Arts for this chance, Photo by Yvo van der Vat. BAM (Balearic Appropriationist Map) was at The SPACE, St Johns Rd, St Leonards-on-Sea through July 2023. BAM was realised with the support of The Hastings & St Leonards Foreshore Charitable Trust.
Billboard at the Space, Saint Leonards by the sea Railway Station, Hastings, UK, 2023.
3 pieces of my work Balearic Appropianist Map fixed at the billboard in Saint Leonard's, Hastings (England). Thank you Christine Gist and Tempo Arts for this chance, Photo by Yvo van der Vat. BAM (Balearic Appropriationist Map) was at The SPACE, St Johns Rd, St Leonards-on-Sea through July 2023. BAM was realised with the support of The Hastings & St Leonards Foreshore Charitable Trust.
ZK/U Zentrum für Kunst und Urbanistik, Berlin, Germany, 2020
ZK/U Zentrum für Kunst und Urbanistik, Berlin, Germany, 2020
ZK/U Zentrum für Kunst und Urbanistik, Berlin, Germany, 2020
ZK/U Zentrum für Kunst und Urbanistik, Berlin, Germany, 2020
ZK/U Zentrum für Kunst und Urbanistik, Berlin, Germany, 2020
Osmotic is a documentation and mediation space, design and built by Marcos Vidal Font inside Zooextropy exhibition. In collaboration with Maria Bella, and the students of PERMEA Mediation and Education Master, Mar Dols Merle, Tomas Hernández Espinalt and John Mario Céspedes.This exhibition curated by María Morata for the Centre del Carme art center and it was open to the public from the 21st of June till the 22nd of September. 2019.
Osmotic is a documentation and mediation space, design and built by Marcos Vidal Font inside Zooextropy exhibition. In collaboration with Maria Bella, and the students of PERMEA Mediation and Education Master, Mar Dols Merle, Tomas Hernández Espinalt and John Mario Céspedes.This exhibition curated by María Morata for the Centre del Carme art center and it was open to the public from the 21st of June till the 22nd of September. 2019.
Osmotic is a documentation and mediation space, design and built by Marcos Vidal Font inside Zooextropy exhibition. In collaboration with Maria Bella, and the students of PERMEA Mediation and Education Master, Mar Dols Merle, Tomas Hernández Espinalt and John Mario Céspedes.This exhibition curated by María Morata for the Centre del Carme art center and it was open to the public from the 21st of June till the 22nd of September. 2019.
Osmotic is a documentation and mediation space, design and built by Marcos Vidal Font inside Zooextropy exhibition. In collaboration with Maria Bella, and the students of PERMEA Mediation and Education Master, Mar Dols Merle, Tomas Hernández Espinalt and John Mario Céspedes.This exhibition curated by María Morata for the Centre del Carme art center and it was open to the public from the 21st of June till the 22nd of September. 2019.
Osmotic is a documentation and mediation space, design and built by Marcos Vidal Font inside Zooextropy exhibition. In collaboration with Maria Bella, and the students of PERMEA Mediation and Education Master, Mar Dols Merle, Tomas Hernández Espinalt and John Mario Céspedes.This exhibition curated by María Morata for the Centre del Carme art center and it was open to the public from the 21st of June till the 22nd of September. 2019.
Marcos Vidal installed an temporary sculpture in front of the Dordrecht Town Hall. Artists from Uk, Germany, Poland and Bulgaria were developing proyects of public art and performance, invited by Yvo van der Vat in the project IDENTITY for Dordtse Skills / DS17 art space. The video was done by the bulgarian artist Neno Belchev and it shows how Vidal's project was installed. November 2018
Marcos Vidal installed an temporary sculpture in front of the Dordrecht Town Hall. Artists from Uk, Germany, Poland and Bulgaria were developing proyects of public art and performance, invited by Yvo van der Vat in the project IDENTITY for Dordtse Skills / DS17 art space. The video was done by the bulgarian artist Neno Belchev and it shows how Vidal's project was installed. November 2018
Marcos Vidal installed an temporary sculpture in front of the Dordrecht Town Hall. Artists from Uk, Germany, Poland and Bulgaria were developing proyects of public art and performance, invited by Yvo van der Vat in the project IDENTITY for Dordtse Skills / DS17 art space. The video was done by the bulgarian artist Neno Belchev and it shows how Vidal's project was installed. November 2018
Marcos Vidal installed an temporary sculpture in front of the Dordrecht Town Hall. Artists from Uk, Germany, Poland and Bulgaria were developing proyects of public art and performance, invited by Yvo van der Vat in the project IDENTITY for Dordtse Skills / DS17 art space. The video was done by the bulgarian artist Neno Belchev and it shows how Vidal's project was installed. November 2018
Marcos Vidal installed an temporary sculpture in front of the Dordrecht Town Hall. Artists from Uk, Germany, Poland and Bulgaria were developing proyects of public art and performance, invited by Yvo van der Vat in the project IDENTITY for Dordtse Skills / DS17 art space. The video was done by the bulgarian artist Neno Belchev and it shows how Vidal's project was installed. November 2018
Process Space art festival, International Center Elias Canetti, Russe, Bulgaria, 2017
Process Space art festival, International Center Elias Canetti, Russe, Bulgaria, 2017
Process Space art festival, International Center Elias Canetti, Russe, Bulgaria, 2017
Process Space art festival, International Center Elias Canetti, Russe, Bulgaria, 2017
Process Space art festival, International Center Elias Canetti, Russe, Bulgaria, 2017
Open studio at V54 AIR, Po Leung Kuk Foundation, Hong Kong, 2017.
Open studio at V54 AIR, Po Leung Kuk Foundation, Hong Kong, 2017.
Open studio at V54 AIR, Po Leung Kuk Foundation, Hong Kong, 2017.
Open studio at V54 AIR, Po Leung Kuk Foundation, Hong Kong, 2017.
Open studio at V54 AIR, Po Leung Kuk Foundation, Hong Kong, 2017.
Saltillo Contemporary Art Festival, Municipality Saltillo Archive, Coahuila, México, 2015
Saltillo Contemporary Art Festival, Municipality Saltillo Archive, Coahuila, México, 2015
Saltillo Contemporary Art Festival, Municipality Saltillo Archive, Coahuila, México, 2015
Saltillo Contemporary Art Festival, Municipality Saltillo Archive, Coahuila, México, 2015
Saltillo Contemporary Art Festival, Municipality Saltillo Archive, Coahuila, México, 2015
In my sculptures the chair is a representation of an opinion or a point of view. In those pieces, the two chairs become a new object, it suggest a metamorphosis, a dialogue or a schizophrenia. In some pieces I do a part of the sculpture is a draw. That makes easy the intervention in any kind of wall. Lichtenberg was a perfect place for experiment and made in it in real, may be because visiting the district, one can have a new point of view of the city. The seat, that save place for read and contemplate a nice view becomes uncomfortable, or more complex.
In my sculptures the chair is a representation of an opinion or a point of view. In those pieces, the two chairs become a new object, it suggest a metamorphosis, a dialogue or a schizophrenia. In some pieces I do a part of the sculpture is a draw. That makes easy the intervention in any kind of wall. Lichtenberg was a perfect place for experiment and made in it in real, may be because visiting the district, one can have a new point of view of the city. The seat, that save place for read and contemplate a nice view becomes uncomfortable, or more complex.
In my sculptures the chair is a representation of an opinion or a point of view. In those pieces, the two chairs become a new object, it suggest a metamorphosis, a dialogue or a schizophrenia. In some pieces I do a part of the sculpture is a draw. That makes easy the intervention in any kind of wall. Lichtenberg was a perfect place for experiment and made in it in real, may be because visiting the district, one can have a new point of view of the city. The seat, that save place for read and contemplate a nice view becomes uncomfortable, or more complex.
In my sculptures the chair is a representation of an opinion or a point of view. In those pieces, the two chairs become a new object, it suggest a metamorphosis, a dialogue or a schizophrenia. In some pieces I do a part of the sculpture is a draw. That makes easy the intervention in any kind of wall. Lichtenberg was a perfect place for experiment and made in it in real, may be because visiting the district, one can have a new point of view of the city. The seat, that save place for read and contemplate a nice view becomes uncomfortable, or more complex.
In my sculptures the chair is a representation of an opinion or a point of view. In those pieces, the two chairs become a new object, it suggest a metamorphosis, a dialogue or a schizophrenia. In some pieces I do a part of the sculpture is a draw. That makes easy the intervention in any kind of wall. Lichtenberg was a perfect place for experiment and made in it in real, may be because visiting the district, one can have a new point of view of the city. The seat, that save place for read and contemplate a nice view becomes uncomfortable, or more complex.
Water Tower Art Fest, Sofia, Bulgaria, 2013
Water Tower Art Fest, Sofia, Bulgaria, 2013
Water Tower Art Fest, Sofia, Bulgaria, 2013
Water Tower Art Fest, Sofia, Bulgaria, 2013
Water Tower Art Fest, Sofia, Bulgaria, 2013
Mallorca Translocal Meeting, installation Miró Foundation, Mallorca, 2013
Mallorca Translocal Meeting, installation Miró Foundation, Mallorca, 2013
Mallorca Translocal Meeting, installation Miró Foundation, Mallorca, 2013
Mallorca Translocal Meeting, installation Miró Foundation, Mallorca, 2013
Mallorca Translocal Meeting, installation Miró Foundation, Mallorca, 2013
carved lime wood, 2 pieces 50 x 50 x 40 centimeters, 2009.
Watermarks, NDSM art centre, Amsterdam, The Netherlands (curate by Mercedes Estarellas), Es Baluard Contemporary and Modern Art Museum, Palma, and BIT Center Inca, Mallorca, Spain.
carved lime wood, 2 pieces 50 x 50 x 40 centimeters, 2009.
Watermarks, NDSM art centre, Amsterdam, The Netherlands (curate by Mercedes Estarellas), Es Baluard Contemporary and Modern Art Museum, Palma, and BIT Center Inca, Mallorca, Spain.
carved lime wood, 2 pieces 50 x 50 x 40 centimeters, 2009.
Watermarks, NDSM art centre, Amsterdam, The Netherlands (curate by Mercedes Estarellas), Es Baluard Contemporary and Modern Art Museum, Palma, and BIT Center Inca, Mallorca, Spain.
carved lime wood, 2 pieces 50 x 50 x 40 centimeters, 2009.
Watermarks, NDSM art centre, Amsterdam, The Netherlands (curate by Mercedes Estarellas), Es Baluard Contemporary and Modern Art Museum, Palma, and BIT Center Inca, Mallorca, Spain.
carved lime wood, 2 pieces 50 x 50 x 40 centimeters, 2009.
Watermarks, NDSM art centre, Amsterdam, The Netherlands (curate by Mercedes Estarellas), Es Baluard Contemporary and Modern Art Museum, Palma, and BIT Center Inca, Mallorca, Spain.
2009, installation, textile, padding, plastic and wood, variable size
2009, installation, textile, padding, plastic and wood, variable size
2009, installation, textile, padding, plastic and wood, variable size
2009, installation, textile, padding, plastic and wood, variable size
2009, installation, textile, padding, plastic and wood, variable size
2008, installation, irón, wood, and found objects
2008, installation, irón, wood, and found objects
2008, installation, irón, wood, and found objects
2008, installation, irón, wood, and found objects
2008, installation, irón, wood, and found objects
2006, installation, foto on canvas and iron structure, 55 x 77 x 54 cms each one
2006, installation, foto on canvas and iron structure, 55 x 77 x 54 cms each one
2006, installation, foto on canvas and iron structure, 55 x 77 x 54 cms each one
2006, installation, foto on canvas and iron structure, 55 x 77 x 54 cms each one
2006, installation, foto on canvas and iron structure, 55 x 77 x 54 cms each one
